This photo set by Gonzalo Fuenmayor was realized in 2014. Chandeliers were hung to banana plantations, lit, and photographed at night. The concept behind these piece of art follows from earlier works by the artist, examining ideas of identities and colonial history. Here, these ideas are taken even further as Fuenmayor combines the banana plantations, which are associated to a violent history; and the chandeliers as a symbol of luxury and opulence to study how decoration can mask ugly circumstances.
Again, these photographs are a social and historical study of colonial Latin America. They are based on the idea of contrast and harmony, and how opposing concepts can interact and complete each other. You can look at the rest of the set over here or see Fuenmayor’s exhibition at the MFA.