This neon installation by Maurizio Nannucci is part of the collection of the Museum of Fine Arts in Boston. You can check out the picture below to see how it looks like on display today. Nannucci is an artist who works a lot with neon, but this piece is particularly striking to me because it’s self referring. It’s a reflection on art by an artist, and more specifically on contemporary art by a contemporary artist. Now for the backstory, I’ve been getting more and more interested in contemporary art thanks to my current job, and I find it interesting how simple it can be while at the same time conveying some important depth. All art has indeed been contemporary, but not all art has been called contemporary. Should we have a new designation for what is understood today as contemporary art or is that the job of future generations to classify it and figure it out? A lot of artistic currents in the past were self named and it’s not all a categorization imposed by art historians. So yeah, after all, a piece of art is something that should trigger some sort of thinking; and this is working quite well here.
Camera Selfies is a series by J.F. Novotny, a German photographer who experiments with the concept of the selfie and applies it to vintage cameras. He places the camera in front of a wallpaper (which is sometimes too elaborate for my taste in some of the photos) contemporary to the camera. His aim is to capture the personality of each camera in a false self portrait. The viewer sees the artwork from the perspective of the mirror.
I find the idea more interesting than the artworks themselves but still worth publishing. I particularly like the Polaroid selfies since you can see a triple reflection of the subject; as the camera itself, the developed photo, and the reflection in the lens.
You can check out the rest of the series or even buy them here.