This neon installation by Maurizio Nannucci is part of the collection of the Museum of Fine Arts in Boston. You can check out the picture below to see how it looks like on display today. Nannucci is an artist who works a lot with neon, but this piece is particularly striking to me because it’s self referring. It’s a reflection on art by an artist, and more specifically on contemporary art by a contemporary artist. Now for the backstory, I’ve been getting more and more interested in contemporary art thanks to my current job, and I find it interesting how simple it can be while at the same time conveying some important depth. All art has indeed been contemporary, but not all art has been called contemporary. Should we have a new designation for what is understood today as contemporary art or is that the job of future generations to classify it and figure it out? A lot of artistic currents in the past were self named and it’s not all a categorization imposed by art historians. So yeah, after all, a piece of art is something that should trigger some sort of thinking; and this is working quite well here.
This oil on panel from 2014 by Chris Cosnowski represents an American Football trophy. It is a theme very recurrent in Cosnowski’s work, which focuses a lot on American culture and the meritocracy. His reflection goes into the symbolic of the trophy, how it aims to be grand and metallic but is in fact only a small plastic figurine; so basically an illusion. I think the idea of the illusion works well because his paintings are also very good at creating this sensation thanks to his great technical skills in depicting metal (or in fact, gilded plastic).
If you’d like to check out some more of his work, this is his website.
It would seem like I have become a Sunday blogger but I guess this comes with actually having a job and trying to have a social life too.
Anyway I’ll make it up with really great art (at least I think so), starting with this super illustration/mixed media print by Taiwanese artist Lim Zhi Wei, who goes by the name of Limzy. She works mainly with leaves and flowers, both on paper and as installation.
Her Blooming Fish series is probably my favorite, and you can check it out here. I had such a hard time picking only one for the blog. I like this series because I think it’s one of her most original artwork. Her more fashion-oriented Flower Works is beautiful as well.
This giant installation was set up outside the Guggenheim Museum Bilbao between August 2003 and April 2004. It is the work of Japanese artist Hiro Yamagata and consists of two gigantic rectangular structures composed of holographic panels onto which laser beams were projected.
The aim of this project was to push the limits of human perception and to try and show the naked eye what it cannot see, such as the light particles of the laser beams as they were projected on the panels. I think the scale of this project is what makes it really successful and I wish I could have seen it while it was on. I probably would have watched the changing colors for hours actually; so hopefully something similar will be coming up in the near future.