Roy Lichtenstein is my favorite pop artist. He didn’t only paint comic book style scenes. In fact, he also sculpted (I’ve seen two of his Brushtrokes sculptures in real life) and experimented with a variety of materials. Landscapes are a subject he tackled throughout his career. When you think about it, these landscapes are not that far from the comic book universe, as they would work as background and they are stylistically similar to Lichtenstein’s most famous artworks. His landscapes are also some of the pieces where he experimented a lot with materials. In a lot of the seascapes he made he used Rowlux, which is a holographic plastic-y material that he found quite fitting to represent the undulations of the sea. I chose Seashore because I like the visual rendering of the paint dotting better than the Rowlux, but you can check out the exhibition catalogue of the exhibition Roy Lichtenstein: Between Sea and Sky that took place last summer at Guid Hall here
Above we have an oil on plexiglas painting from 1964 which belongs to the Roy Lichtenstein Foundation. Lichtenstein uses his usual dotting technique to render the different layers of the sea, sky and rocks. This was painted on different layers of plexiglas for added depth. As always with Lichtenstein, it’s interesting that the small elements, bold lines and tiny dots form the complete picture. This painting only has 4 colors. No nuances in shading or anything. It’s simple but it has a dimension, which is something that I particularly appreciate with Lichtenstein in comparison to some other pop artists.